Review of Paheredar piya ki

Review of Paheredar piya ki

     Why we can say that about serial we don't know -about that no have axatly proof dislike to serial Director he was know that where he found new romance with the childish and a young lady.

Directo :- Amandeep Singh

Actor :- Afan Khan play the role of Ratan
              Tejswi Prakash  play the role  of Diya

Story writer by Niranjan Iyengar

In this sirial performance to childish Ratan and youg lady Diya that Shaw was amazing because of the 9year old child foll in love with  Diya she has been already big then Ratan That camistry is not like a joke because that love is not seen the age any person is a filling of heart and making a love.Ratan is atract to the young beauty lady and then follow she and that time cocroch pass the near the Diya she seen cocroch and   afraid the cocroch at that time Ratan was kill the cocroch and save the lady.

Second point is Ratan has 9th year old It, it has a still to love his mother, it is inappropriate to love a girl with an older girl.is unfair of the sosity this sirial is making only for the romance between young and childish boy this matter is not like publc and to says about to ban and blocked the sirial becouse that  our nation is socio-cultural so is it not fair but one thing is more powerful then it everything is fair in love.

That sirial like to the based on old Western culture.

This sirial is not based on child marraige because of only for making this sirial entertainment entertainment and entertainment this sirial is only Drama of the Actor and Actress Develops bringing out the best excerpts contained in his soul so I have progressive this sirial and this sirial most power ful and most of the sirial has a popular on starting period.

This sirial is not on baesd the child marraige it is also like a child marriage but it not child marriage Our government is is prohibition act to child marriage not to be Drama

I fully support in that the serial is realising continue......

Dryden's Essay on Drametic Poesy

Dryden's essay on Drametic Poesy :


1) Do you find any difference between Aristotle's definition of tragedy and Dryden's definition of play?


Yes there is huge difference between Aristotle's definition of tragedy and Dryden's definition of the play. Aristotle gives the definition in a very conservative manner. he says that "tragedy is an imitation of an action that is serious and also having magnitude complete in itself...." and he ended his definition with the word 'catharsis'. Whereas Dryden gives the definition of the play in a wider sense. he added two new words in the definition that is just and live. He says that a play must represent just and lively image of human nature. And he ended his definition with the word 'delight'. he added that onlookers will feel good if we ended our play with delight and instruction of mankind. In this way Dryden moves further from Aristotle's ways of thinking and thus differentiate his work of art.


2) If you are supposed to give your personal predilection, would you be on the side of the Ancient or the Modern? Please give reasons.


f I suppose to give my personal predilection, I would like to be on the side of modern, because ancients have followed the rules and disciplines, and moderns have not only followed or imitated them but also have given something new with the help of new inventions in that era like in science and changes in the social world. Ancient used to write in different kind of boundaries like unities and as per the Greek tradition some scenes were not allowed to perform on stage. So the freedom of action is not there.


3)Do you think that the arguments presented in favour of the French plays and against English plays are appropriate?


I think arguments are presented in the favour of English plays. The plots of French plays are barren while English ones are copious to further the same action. The English plays have numbers of plots with the main plot and audience is important because of that in English plays, there are all types of themes.



4) What would be your preference so far as poetic or prosaic dialogues are concerned in the play?


I would like to go with poetic dialogues in the play. There are two critics who argued in terms of rhymes and blank verse. Crites favors blank verse style of writing whereas Neander favors rhyme. Crites says that rhyme makes the play unnatural, if someone use rhymes then the naturality of dialogues goes out. But what Neander says that if we choose appropriate word at appropriate place, then there is no point of unnaturality. Same thing what I feel that to use rhyme makes the play more beautiful and live. It affects the reader's soul if we used appropriate rhyme. So the poetic dialogues are more capable to make readers active and live than the prosaic dialogues which sometimes bored a lot.

Coleridge

Introduction

:

Biographia Literaria includes some of the most important English writing on poetic theory. Some of it is a response to ideas of poetry advanced by his close friend and collaborator WILLIAM WORDSWORTH first in the 1800 preface to their joint publication LYRICAL BALLADS and then in the preface to Wordsworth’s Collected Poems (1815). Referring to the latter, Coleridge says he wants in Biographia Literaria to make clear ‘on what points I coincide with the opinions in that preface, and in what points I altogether differ’.

Coleridge :

“Poetry of the highest kind may exist without meter and even without rhyme and was contradistinguish object of mind :”

According to Coleridge, poem and prose can not be distinguish from rhyme or meter but he said ultimate and immediate can make them different. The immediate aim of of prose is to show truth and the immediate aim of poetry is to give aesthetic pleasure.The ultimate aim of prose is to show fact while ultimate aim of poetry is to show truth.

Poem:
In poem i can observe that if one person create hos own Creation  he included his feelings that's call poem.
Prose:
Prose means , "written or spoken language in its ordinary form without metrical structure."


ELEMENTS OF PROSE AND POEM
POEM.                                        PROSE

METRE.                                      METRE
RHYME.                                     RHYME
DICTION
THEME
HARMONIZE

THENATURE OF POEM

 VERBAL EXPRESSION OF ACTIVITY

POEM SHOULD BE PLEASUREBLE

POEM DEFINED AS A SPECIES OFCOMPOSITION

    THE NATUREOF PROSE
I. IMMEDIATE PURPOSE TO GIVE TRUTH:
   
  "IT Must be one ,the parts of which mutually supports and explain each other; allinthier proportion harmonizingwith , and supporting the purpose and known influences of metrical arrangement."


According to Coleridge :

“Poetry of the highest kind may exist without meter and even without rhyme and was contradistinguish object of mind :”

The main different between poem and poetry is ..
For it is a distinction resulting from the poetic genius itself, which sustains and modifies the images, thought, and emotion of the poet's own mind.Thus the difference between poem and poetry is not given in clear terms.This distinction between poetry and poem is not clear, to defining poetry proceeds to enumerate the characteristics of the imagination.

Thank you

Wordsworth

Introduction

:

The basic difference between poetic creed of classicism and Romanticism :
 •  Classical writers were believed in intellectual but the Romantics writers were believed in  imagination.
  •  Romantic writers Were not believed any kind of restrictions but they believed in liberty and Freedom of emotions and imagination but classical writers believed in restrictions.
•  Classical poets were followed classical masters like Plato , Aristotle,  Socrates but Romantics poets were followed medieval poets and writers.


Why does Wordsworth say 'What' is poet? rather than Who is poet?                              
  Answer: Wordsworth say what is poet rather than who is poet because he focus upon the role of poet.   Wordsworth said that "Poet is a man who speaking to man, endued with more lively sensible who has greater knowledge of human nature, and a more comprehensive soul,

What is a poetic Diction?  Which poetic Diction is suggested by Wordsworth in his preface?

Answer :  By watching second video we come to know that what is poetic diction. It is a choice of words, use of language, poet's own different and  unique style of writing and  conman man can understand easily.


What is a poetry?

 Wordsworth gives definition of poetry  :

    " Poetry is the spontaneous overflow of powerful feelings it takes origin from emotion recollected in tranquillity. "
Answer :   poet is the most comprehensive soul and far better human being than ordinary people, So poetry gives happiness and it related with human emotions and recollecting nature and recollection in tranquillity.

 Discuss ' Daffodils' I wondered lonely as a cloud with reference to Wordsworth poetic creed.

 Answer :  Wordsworth 's definition of poetry is related to one of his famous poem " Daffodils" (1804). 'Daffodils' is the best example of Wordsworth's definition of poetry “poetry is a spontaneous overflow of a powerful feeling, recollected in tranquility". We all see the beauty of nature by our different point of views  but we cannot recollect and express that delight in tranquility.  so, we can call Wordsworth as nature poet, by recalling his memory and sensibility and by observing the nature, Wordsworth wrote his poetry.

Post truth

Post Truth


When we talk about the POST-TRUTH its hide real situation and it is not presents the reality of the society .The people also live in some kind of   assumption  that is is  truth. The truth means something exist in the society but the POST-TRUTH is retelling the truth which canbe truth or not. We see in the media tht how they hide the reality of people so people is live in some kind of ignorance but in the real life but it is not truth.


Truth is always about that exist or we can say the facts which are there. On the other hand post truth is ‘‘created truth’. the famous  phrase about truth is ‘’universal truth’’. But POST-TRUTH is an individual truth , which one believes and when that person convince others to accept the same belief by force or in a very polite way, and if people accept that as something  ‘real’ or ‘true’, it is not.

“POST- TRUTH” era is an era which changes the perception of truth by implying that “truth is not one” but it differs person to person. The  term is related with the idea of ‘many truths’ and all want their truths should be accepted by society.in the era of POST-TRUTH all answers are true because all have different opinions with their own right side.
Example can be the molestation of girls. There is a problem in the psyche of those males who molest girls. But some political leaders and other citizens have implied that the reason is short cloths of girls for this kind of molestation. This was repeated  by most of people in india and that’s why it was widely accepted also.

The term ‘’post truth’’ is designed to elicit a sense of moral superiority in those who still support the globalist agenda. It is consistent with the elitist character of the globalist, whose rhetorical sr ategy has been to praise its supporters as ‘enlighten’ and condemn its opponents as stupid and evil.

Thank you

Assignment 4 : Write a critical note on 'Ganghi - an invisible hero' in Kanthapura?

Name : Makwana Vijay K.
Course name : M.A English
Semester : 1
Roll no : 46
Enrolment no : 2069108420180035
Email : vijaykm7777@gmail.com
Maharaja Krishnakumarsinhji Bhavnagar University
Batch year : 2017-18
Submitted to : department of English Maharaja Krishnakumarsinhji
Paper no : 4 "Indian Writing In English- Pre Indepandence"
Topic : Write a critical note on 'Ganghi - an invisible hero' in Kanthapura?


Introduction :
Raja Rao (8 November 1908 – 8 July 2006) was an Indian writer of English-language novels and short stories, whose works are deeply rooted in Metaphysics. The Serpent and the Rope (1960), a semi-autobiographical novel recounting a search for spiritual truth in Europe and India, established him as one of the finest Indian prose stylists and won him the Sahitya Akademi Award in 1964. For the entire body of his work, Rao was awarded the Neustadt International Prize for Literature in 1988. Rao's wide-ranging body of work, spanning a number of genres, is seen as a varied and significant contribution to Indian English literature.
His Famous Works :
Kanthapura (1938)
The Serpent and the rope (1960)
On the Ganga Chat (1989)
The Great Indian Way : A life of Mahatma Gandhi (1998)
The Chess master (1988)


Gandhi - an invisible hero of Kanthapura :
Kanthapura is the first novel of Raja Rao written in 1938 A.D. It describes the period in which the struggle against foreign government was dominating the political scenario in India.At that time Non-Cooperation Movement was in vogue. Congress under the leadership of Gandhi was leading the movement.
Raja Rao supported the ideas of Gandhi thus Kanthapura as a political novel is totally influenced by the principles of Gandhi. In the beginning of the novel, we come to know about the structure of village.We find that the village of Kanthapura is caste-ridden village and the quarters of people are separated on the basis of casteism.
The casteism is so prevalent in Kanthapura that if a Brahmin visits a Pariah’s house, he has to go to Kashi for purification.Moorthy, the protagonist of the novel, who is a Brahmin, gives up his studies after being influenced by the Gandhian Philosophy by going through different pamphlets and newspapers.
Hence we don’t see Gandhi in actual but his ideology and principles in the novel and Moorthy is the avatar of Gandhi.Moorthy after adopting the Gandhian Ideology gives up his studies in the city and returns back to his village. He gives up foreign clothes and goods and wears hand-woven Khaddar.He encourages the people of his village to use native things and become independent of foreign goods.
In order to encourage the concept of ‘Swaraj’ or ‘home rule’ he visits each house and distributes free Charkhas so that every person of his village may become a part of the struggle.He explains the Gandhian principles and encourages them to follow the same. Like Gandhi, Moorthy believes in non-violence. He asks people to make their struggle non-violent. They should love their enemies even if the later may hate them or even act violently.
Moorthy asks the people to speak the truth and remain loyal to Congress. He proves his words when after being sentenced jail, he refuses to release on bail. He tells the lawyer that if he held the weapon of truth firmly no power on earth will be able to harm him. In spite of the threats of ex-communication from Batta, he takes active part in the struggle against untouchability and visits a Pariah’s house where he is treated as God.But this should also be noted that he feels extreme discomfort and fife there and on returning back, he takes a religious bath for purification.


He accept untouchability in spite of his struggle against it. Gandhi believed that women help is crucial for the struggle, hence he tried to get the support of women as well.
Similarly, Moorthy seeks the help of Kanchamma, a rich educated widow of his village. Kanchamma fully supports Moorthy as well as Gandhian Ideology. When Moorthy is behind the bars, she establishes Women’s Volunteer Corps. The women after being influenced by her words, take active part in the struggle. They are molested, raped and even beaten but they don’tloose hope.
Hence it is the Gandhian Ideology which makes the plot of the novel to develop and not Gandhi himself. As Gandhi influences the politics at national level, Moorthy becomes the Gandhi of Kanthapura and does the same things. Kanthapura is a mini-nation with a Gandhi of itself i.e. Moorthy.
The theme of kanthapura may be summed up as  `Gandhi and our village ‘ but the style of narration makes the books more a Gandhi purana than a piece of mere fiction Gandhi is the invisible God moorthy. is the visible avatar.
The reigu of the rodnmen is asuric rule and it is reristed by the devdas  the satyagrahis . the charucters sharply divide into two camps.the rulers cand their supporters on the one hand and the satyagrahis cand their sympathizers on the other. There are various other divisions too
Orthodoxy is pitted against reform exploitation against sufferance the planter against the  coolies and  the corrupt official against the self –respecting villagers but there lines grow hazu when the main issue between the bureaucracy and the satuagrahis is joined for now most peppie are on one or the othere side of the burricader it is 1930 Gandhi marcher with his select band of followers to the salt pans at Dandi to break the salt laws suddenly the entire country is engayed in passive resistance of `alien’authority.
Raja Rao has but the story into mouth of a grandmother although the  feminine touches and mannerisms, the seemingly effortless rotation of the fongue the meandering sentences and  paragaphs are characteristic of the narrator there is nevertheless consummate `art’ in all this riot of artlessness there is carefully `selection’ behind the apparent abundance details  and there Is an adroit polarization in the plot less grandmother’s tale moorthy is Gandhi ‘s man the statyaegrahis the leader of the nov –violent movement in kanthapura there is at the other extrecne is the symbol of appression the soulless bureauracy made visiby repulsive but the villagers are unafraid.



What is a policaeman before a Gandhi’s man tell me does a boar stand before a clephant?

There  is than bhatta the symbol of usury and false orth doxy and low cunning .there is range gowda the symbol of sense and stolidity, a sort of Sardar patel to moorthy the village mahatma the river –himavarthy is herseif a presence and the goddess kenahamma of the hill is a presence too the protectress of the people the guardian of kanthapura. And beyond the hill is the Arabian sea. And for beyond it the land from which the red men have com in kanthapura there is a brahimin street a potters quarter a pariah quarte how absurdly true of the typical indian village just beyond the village lies the skeffinglon coffee estate the symbol of the impact of industrialization on the traditional community life at kanthapura.

In but a few pages of nervous description life in the coffee estate is vivified in anands  two leaves and a bud are here just glanced at in hurry ,suggesting mush in title  as impossible nightmare. The people of kanthapure  wear tell –tale nick names. Waterfall  venkamma  nouse Akamai temple  rangappa coffee planter Ramayana, patwari Nanjudia gold brangie somanna , cardamom field Ramachandra and there is of course corner –horuse moorthy who goes through life as ``A  noble cow ,quiet generous serene deference and Brahmanism a very prince……’’ Already ,when the story begins ,Gandhi is a legendary figure to the villages and hair kaftans jayarmacher jumbles with splendid unconcern traditional mythology and contemporaneous politics.

Gandhi is save himself in human shape he is engaged in slaying the serpent of foreign rule kaliya. Bhajans and Harikirthans mix religion and politics freely and often purposefully ,the reading of a discipline as the revernt reading  of the Gita and hand spinning is elevated into a daily ritual like puja.

The walls of orthodoxy are suddenly breached. Revolutionspirits of the Gandhi an revolution at kanthapura are Rangamma range gouda and the girly Radha. In the end it truly becomes a mass movement the villages comprising men and professions and the laborers of the coffee Estate readily meeting the onslaught of the bureaucracy.

= class structure
[1]    Untouchability
[2]   Structure of the village
[3]   Superstitions among people
[4]    Exploitation due to class
[5]    Caste and creed
[6]   Class discrimination.
[7]   Society and discrimination.
We see all the structure in deeply


[1]Untouchability :
Kanthapura has narrow structure. In the village have people of many castes. They lived  peacefully. In this village upper class people otherwise they were casted out from that particular. If a person goes to pariah’s house. He would have to take bath and go kasha for purification purpose.

[2] Structure of the village :
In the village house were the symbols of status. There were less government servants in this village those who were there got respect. There was the house of past master He lived in two storied building polarity had glass paned windows Besides there, this village has pariah quarter. ``A potter’s weaver’s and sudra quarter and Brahmin”

[3]  Superstitions among people :
In this village people are religious minded. They lack education they believe in superstitions. People accepted Hinduism. When a policemen `Khan’ comes to the village for their welfare it was very difficult for him to get a room to live their lives were  surrounded of many superstitions.

[4]  Exploitation due to class :
The  condition of the village was such that upper class exploited the lower class people. The  whole description of working laborers is touching. Remaining hungry of half hungry poorly nourished they had to work very hard.

[5]  Caste and creed :
The small village symbolically depicts the country’s condition ,during the time of freedom struggle ,people of all castes unanimously united themselves to fight against the country’s enemy.
Educated people were influenced by Gandhi and became his followers they cast away the social norms of caste.

[6]  Class  discrimination :
Wealthy people ruled the village Bhatt who cams in village with nothing became prosperous. He himself married teenage girl. He got dowry too. when moorthy goes to pariah’s house for some work, people  started back biting and the never reached his mother. His mother old marimba worries a lot she tells her some not is break social norms.

[7] Society  and  discrimination :
When moorthy visited pariahs family,he was well treated but villagers started speated but villagers to be out caste. People especially orthodox women were against him.
Raja Rao kanthapara has reconstructions of his own village harihalli or Hariharapara is the miniature of India. This book gives us social political religious and mythical scenario of 1930 s kanthapura deals with the condition of india village during the struggle for independence.

In “ kanthapura’’ tales within tales are found like cabbage peels tales froms mythoiogy becomes pust of their life that frequenty leaves their conversation with them.morthy and seen becomes rama and brother laxman need a sita to make the picture complete.
According to a critic “there are no exact points of correspondence in those analogies but them leave an immediate impact on the illierater indian villagers and explain to them the political situation of indi

Work cites :
https://en.m.wikipedia.org/wiki/Raja_Rao#/issues
https://www.articlesjar.com/gandhian-ideology-kanthapura/
file:///sdcard/UCDownloads/Ashadodiya's%20assignment%20Analysis%20of%20Kanthapura.mht

Assignment 3 : A GLOSSARY OF LITERARY TERMS

Name : Makwana Vijay K.
Course name : M.A English
Semester : 1
Roll no : 46
Email : vijaykm7777@gmail.com
Enrolment no : 2069108420180035
Maharaja Krishnakumarsinhji Bhavnagar University
Batch year : 2017-18
Submitted to : department of English Maharaja Krishnakumarsinhji
Paper no : 3 "Literary Theory and Criticism"
Topic : A glossary of selected literary terms(discuss all the terms).

 A GLOSSARY OF LITERARY TERMS

Alliteration: The repetition of initial consonant sounds used especially in poetry to emphasize and link words as well as to create pleasing, musical sounds. Example—the fair breeze blew, the white foam flew. Ex: Poetry.

Allusion: A reference to a well-known person, place, event, literary work, or work of art to enrich the reading experience by adding meaning. Ex: The character make the adventure in his life.

Characterization: Techniques a writer uses to create and develop a character by what:

• he/she does or says,

• other characters say about him/her, or how they react to him/her

• the author reveals directly or through a narrator.

Dialect: Speech that reflects pronunciation, vocabulary, and grammar typical of a geographical region.

Flashback: Interruption of the chronological (time) order to present something that occurred before the beginning of the story. Ex: The end of the story that hero shown the reality of the story.

Figurative Language: Language that has meaning beyond the literal meaning; also known as “figures of speech.”

• Simile: comparison of two things using the words “like” or “as,” e.g. “Her smile was as cold as ice.”

• Metaphor comparison of two things essentially different but with some commonalities; does not use “like” or “as,” e.g. “Her smile was ice.”

• Hyperbole: a purposeful exaggeration for emphasis or humor.

• Personification: human qualities attributed to an animal, object, or idea, e.g. “The wind exhaled.”

Free Verse: Poetry that does not conform to a regular meter or rhyme scheme. Poets who write in free verse try to reproduce the natural rhythms of spoken language.

Foreshadowing: Important hints that an author drops to prepare the reader for what is to come, and help the reader anticipate the outcome.

Imagery: Words or phrases that appeal to the reader’s senses.

Humor: The quality of a literary or informative work that makes the character and/or situations seem funny, amusing, or ludicrous. Ex: The character create the funny situation that the spectacles weren't feel boring.

Irony: A technique that involves surprising, interesting, or amusing contradictions or contrasts. Verbal irony occurs when words are used to suggest the opposite of their usual meaning. An irony of situation is when an event occurs that directly contradicts expectations.

Onomatopoeia: The use of words that imitate sounds. Examples would be hiss, buzz, swish, and crunch.

Point of View: Perspective from which the story is told

• First-person: narrator is a character in the story; uses “I,” “we,” etc.

• Third-person: narrator outside the story; uses “he,” “she,” “they”

• Third-person limited: narrator tells only what one character perceives

• Third-person omniscient: narrator can see into the minds of all characters.

Satire: Writing that comments humorously on human flaws, ideas, social customs, or institutions in order to change them.

Style: The distinctive way that a writer uses language including such factors as word choice, sentence length, arrangement, and complexity, and the use of figurative language and imagery.

Suspense: A feeling of excitement, curiosity, or expectation about what will happen.

Symbol: Person, place, or thing that represents something beyond itself, most often something concrete or tangible that represents an abstract idea.

LITERARY FORMS

Autobiography: A writer’s story of his or herown life.

Biography: A writer’s account of some other person’s life.

Comedy: Writing that deals with life in a humorous way, often poking fun atpeople’s mistakes.

Drama: Also called a play, this writing form uses dialogue to share its message and is meant to be performed in front of an audience.

Essay: A short piece of nonfiction that expresses the writer’s opinion or shares information about a subject.

Fable: A short story that often uses talking animals as the main characters and teaches an explicit moral or lesson.

Fantasy: A story set in an imaginary world in which the characters usually have supernatural powers or abilities.

Folktale: A story originally passed from one generation to another by word of mouth only. The characters are usually all good or all bad and in the end are rewarded or punished as they deserve.

Historical Fiction: A made-up story that is based on a real time and place in history, so fact is mixed with fiction.

Myth: A traditional story intended to explain some mystery of nature, religious doctrine, or cultural belief. The gods and goddesses of mythology have supernatural powers, but the human characters usually do not.

Novel: A book-length, fictional prose story. Because of its length, a novel’s characters and plot are usually more developed than those of a short story.

Poetry: A literary work that uses concise, colorful, often rhythmic language to express ideas or emotions. Examples: ballad, blank verse, free verse, elegy, limerick, sonnet.

Prose: A literary work that uses the familiar spoken form of language, sentence after sentence. Realistic Fiction: Writing that attempts to show life as it really is.

 on real or imaginary scientific developments and often set in the future.

Short Story: Shorter than a novel, this piece of literature can usually be read in one sitting. Because of its length, it has only a few characters and focuses on one problem or conflict.

Tall Tale: A humorous, exaggerated story often based on the life of a real person. The exaggerations build until the character can accomplish impossible things.

LITERARY ELEMENTS

Action: Everythat happens in a story.

Antagonist: The person or force that works against the hero of the story. 

Character: One of the people (or animals) in a story.

Climax: The high point in the action of a story.

Conflict: A problem or struggle between two opposing forces in a story. There are four basic 

conflicts:

• Person Against Person: A problem between characters.

• Person Against Self: A problem within a character’s own mind.

• Person Against Society: A problem between a character and society, school, the law, or some tradition.

• Person Against Nature: A problem between a character and some element of nature-a blizzard, a hurricane, a mountain climb, etc.

Dialogue: The conversations that characters have with one another.

Exposition: The part of the story, usually near the beginning, in which the characters are introduced, the background is explained, and the setting is described.

Falling Action: The action and dialogue following the climax that lead the reader into the story’s end.

Mood: The feeling a piece of literature is intended to create in a reader.

Moral: The lesson a story teaches.

Narrator: The person or character who actually tells the story, filling in the background information and bridging the gaps between dialogue. (See Point of View.)

Plot: The action that makes up the story, following a plan called the plot line.

Plot line: The planned action or series of events in a story. There are five parts: exposition, rising action, climax, falling action, and resolution.

Protagonist: The main character in a story, often a good or heroic type.

Resolution: The part of the story in which the problems are solved and the action comes to a satisfying end.

Rising Action: The central part of the story during which various problems arise after a conflict is introduced.

Setting: The place and the time frame in which a story takes place.

Style: The distinctive way that a writer uses language including such factors as word choice, sentence length, arrangement, and complexity, and the use of figurative language and imagery.

Theme: The message about life or human nature that is “the focus” in the story that the writer tells.

TADDITIONAL VOCABULARY
Article: A complete piece of writing, as a report or essay, that is part of a newspaper, magazine, or book.
Atlas: A book of maps.
Encyclopedia: A book that contains information on many subjects; or comprehensive information in a particular field of knowledge; usually arranged alphabetically.
Fiction: A literary work whose content is based on the imagination and not on fact.
Glossary: An alphabetical listing of difficult, technical, or foreign terms with definitions or translation; usually found at the end of a book.
Index: An alphabetical listing that gives page numbers or books where information can be found.
Mystery: A novel, story, or play involving a crime or secret activity and its gradual solution.
Nonfiction: True writing, based on factualinformation.
Perio dical: Another word for magazine.
Reference: A type of book that provides information arranged for easy access.
Series: Several books related in subject, or dealing with the same characters. Table of Contents: The part of a book which lists the chapters or contents within the book.

Work cited :
http://www.ode.state.or.us/teachlearn/subjects/elarts/reading/resources/readingglossary.pdf